Chinese officials have revealed a significant redevelopment of the historic Jebum-gang Lha-khang Temple in Lhasa, transforming it from an ancient place of worship into a lively modern art center. This revitalization project highlights a location of rich cultural importance, leveraging its two-century history.

According to architect Xia Yujun, the temple, which dates back 200 years, was once used as a granary and features magnificent murals from the Qing Dynasty (1644-1911). Now nestled in a vibrant commercial area at an altitude of 3,650 meters, the site has become a hub for cultural engagement in Lhasa, marrying tradition with contemporary appeal.

Its unique circular architecture and ancient pillars promise to captivate all visitors. The renovation sensitively incorporates modern functionality while maintaining the temple’s historical integrity, thereby enhancing—not overshadowing—the immersive experience of the ancient site.

This initiative to repurpose historic landmarks into art centers also serves to educate the younger generation on conservation, encouraging a connection to their architectural heritage.

A Storied History

The transformation of Jebum-gang Lha-khang required a comprehensive technological upgrade that seamlessly integrates new elements within the building’s historical context. Originally established in the late 19th century, it stands as the sole mandalic structure, characterized by its symmetrical design reflective of Buddhist symbolism.

Years of utilitarian use led to its decline, but after five years of dedicated work by Xia and his team, the rejuvenated site has become a sought-after destination for those interested in modern art. The team dedicated effort to restoring faded murals and repairing fire-damaged sections while preserving the original layout.

The innovative aspect of this project is in its new role. By inspiring dialogue between the past and present, the space is transformed into a modern art venue, maintaining the existing structure’s character.

Xia describes the essence of Tibetan architecture as a multi-sensory experience, comprising elements such as scent, sound, and light that contribute to its storied ambiance. This philosophy guided the restoration, aiming to revive not merely a physical structure, but to sustain its rich sensory history within a contemporary artistic context.